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Screenwriting
Screenwriting | Fiction | Nonfiction

Screenwriting Prerequisites:

Track 1:  Screenwriting

This track is for writers who are beginning their journey as screenwriters. In order to enter this track powerfully, you must fit the following criteria:

  1. Have a treatment  - a five to 30 page outline of a screenplay you plan to write, OR, have one fully completed screenplay that you intend to work on while at the retreat.
  1. You are familiar with screenwriting  software such as Final Draft and Movie Magic; or with proper formatting for screenplays.

    This track will be led by Michael Andres Palmieri, the Director of the Screenwriting Program, Screenwriter and one of the top Script Consultants in Hollywood today.

Track 2:  Masters  Screenwriting

This track is designed for screenwriters who:

  1. Have completed at least two screenplays.
  1. Have attended the Maui Writers Retreat for Screenwriters at least once. (We are willing to waive previous retreat experience if you have participated in similar programs.)
  1. You regularly use screenwriting software for your material.

    This track will be led by industry professionals. Individuals will be announced shortly.

    Screenplay Submission Deadline: August 1st







 
We'll update our 2009 Retreat Faculty as we confirm them!
Take a look at our outstanding 2008 RETREAT FACULTY
   
Bobby Moresco
Oscar winning writer-producer Bobby Moresco, whose breakout film Crash, co-written with Academy Award winning writer-director Paul Haggis, earned the duo the 2006 Academy Award® for best original screenplay, as well as Best Picture and Achievement in Editing. Along with Academy Award winning actor-director-producer Clint Eastwood, the team also developed and co-produced Million Dollar Baby, which won the 2005 Academy Award® for Best Picture. Bobby will be a featured speaker at the MWR Screenwriting Retreat.
 
hawk ostby

Hawk Ostby  hails from the dangerous, fish-infested harpoon-happy slums of Oslo, Norway.  Deprived of the most basic filmed entertainment, he fled to the United States by way of India, Malaysia and Singapore, in the late eighties. After ‘studying’ in Boston, Mr. Ostby was extradited to New York, where he met co-writer and fellow conspirateur, Mark Fergus.  They have since collaborated on numerous screenplays, including:  First Snow, Children of Men and Iron Man.
In 2008, Mr. Ostby did not win the Pulitzer Prize, and was not recognized by the Nobel Committee.   He currently ekes out a Kaczynski-like existence deep in the Green Mountains of Vermont, and only communicates with the outside world through a complex network of bull frogs.

 
mark fergus

Mark Fergus (producer) co-wrote the current blockbuster film “Iron Man” and was one of the Academy Award nominated screenwriters for the film “Children of Men”. He also directed Guy Pearce in the feature “First Snow”, which he co-wrote with his screenwriting partner Hawk Ostby.  

 
Michael Palmieri Michael Andres Palmieri, a graduate of USC’s Annenberg School of Communications and School of Cinematic Arts, Micheal splits his time between writing, producing, and consulting. He has been part of the entertainment industry for 20 years.  Most recently he penned the international six-hour mini-series, now in pre-production, whose working title is The Treasure of Ugarit. As an independent producer, he is mounting a broadband series entitled Chico’s Angels, and a horror film entitled Off-Season. As an entertainment industry consultant, he specializes in working with writers one-on-one, commanding a mid-five figure fee for his services. His clients include screenwriters, television writers, playwrights, and novelists. Over seventy percent of his clients go on to sell their material for mid-six figures.  As an executive, he has worked in the publishing, television, feature film, and new media arena. He has held executive positions with production companies based at TriStar Pictures, Paramount Pictures, Warner Brothers, and Twentieth Century Fox. Most recently he was Executive Vice President of Gutsoon Entertainment, a Japanese media company, where he launched a publishing, feature film, television and new media divisions. He is a Founding Board member of Producers Guild of America, New Media Council, and has been its Chairman for the past two years. He has taught at USC, UCLA and AFI.
   
Maui Writers presenter Diane Lake

Diane Lake has been a working screenwriter since 1993 when she sold her first story idea. Since then she has been commissioned to write films for Columbia, Disney, Miramax and Paramount. In addition, she has written a mini-series for NBC and created a half-hour series for CBS. She has also written work for numerous independent producers as well as actors like Dustin Hoffman and directors like Harold Becker. Projects currently in active development include Distance, the story of Berthe Morisot, the French Impressionist painter, optioned by Blue Collar Films; Chandler, a film noir set in 1930s Los Angeles where the writer Raymond Chandler becomes involved in the kind of murder cases he only writes about, being packaged by Roth/Arnold Productions; A Thousand Cranes, an epic love story set against the backdrop of the bombing of Hiroshima in WWII, produced by Digital Domain Studios. Her newest script, Ada, has just gone out to producers/directors—it tells the story of Ada Byron, Lord Byron’s daughter. Diane's film, Frida, opened the Venice Film Festival in 2002, was named one of the 10 Best Films of 2002 by numerous top 10 lists, including the National Board of Review and the American Film Institute. Frida was also nominated for 6 Academy Awards in 2003. Diane is also a screenwriting professor at Emerson College; her website is www.DianeLake.com.

   
thomas h cook

John Soriano is currently at Paramount, working on film projects, including: Transformers, Love Guru, Stop Loss, Hot Rod, Drillbit Taylor, Spiderwick Chronicles, and the latest Wayans Brothers comedy spoof. John is currently writing two film projects: a civil war action-adventure, CHASING THUNDER, and a supernatural horror piece entitled THE SACRED. A graduate of USC's film school, John Soriano has worked in Hollywood for over 17 years writing, developing and producing motion picture and television projects.  After learning the business side of writing at a big literary agency (Triad), he moved to the creative side of the industry with stints at Columbia, Universal and Disney as a story analyst.  At Paramount as a studio executive, he worked on a variety of films from pitch through production -- from smaller films like Searching for Bobby Fisher to tentpoles like Patriot Games and The Firm.  At Universal heading up director Rob Cohen's company, John helped develop movies like Dragonheart, Daylight and Face/Off before setting up projects as a writer himself, at Warner Bros, Fox, and in TV at Universal.

As the vice-chair of the Writers Guild's media relations committee, he helped spearhead some of the WGA’s awards programs and content, working with Oscar-winning writers like David Franzoni, Ron Bass and Curtis Hanson.  From consulting on screenplay software Final Draft to guest lecturing writing classes at UCLA and USC, John has proven to be diversified in the business of storytelling. 









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